The first episode of Breaking Bad aired on January 10, 2008.
Despite the fact that it did not premiere to record-breaking ratings, it evolved into a television phenomenon over the course of five seasons, in large part as a result of word-of-mouth and the growing popularity of binge-watching.
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It is, at its most fundamental level, the story of a quiet chemistry teacher who, when he is told he has lung cancer, risks everything he has worked for to make sure his family will be taken care of if he dies.
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Yet, similar to all extraordinary programs, the story is truly not unreasonably straightforward. Additionally, it changes over time, with each season miraculously surpassing the previous one in some way.
Breaking Bad’s coolest elements go beyond chemicals.
In addition to its numerous hidden Easter Eggs, a lot of fans were unaware that there is a real-life Heisenberg or that Bryan Cranston was once a murder suspect. It was also reported that even though the show was set and filmed in Albuquerque NM, they used services from a paving company in Mesa AZ to create some parts of elaborate sets that were used throughout the show.
Here are some Breaking Bad facts that might surprise you:
1.It was rejected by a lot of networks, including HBO
In 2016, it was reported that Vince Gilligan is dealing with a restricted series about Jim Jones for HBO.
However, the “It’s not TV” network didn’t always like Gilligan. Gilligan stated in an interview in 2011 that he pitched HBO Breaking Bad and that it was “the worst meeting I’ve ever had.”
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According to Gilligan, “the problem with Hollywood—movies and television—is that people will leave you dangling on the end of a meat hook for days, weeks, or months on end.”
HBO experienced that. The woman we were pitching to could not have been less interested—not even in my story, but in whether I actually lived or died—than in the worst meeting I’ve ever had.
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Walter White was not the only network that turned him down: Breaking Bad was also rejected by Showtime, TNT, and FX for a variety of reasons.
2. Jesse Pinkman was not intended to live after the first season
Despite the fact that the tumultuous partnership between Walter White and Jesse Pinkman was the main focus of Breaking Bad in the end, Jesse was never intended to be a major character.
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In spite of the fact that it is frequently stated that he was supposed to be killed off in episode nine and that the strike that took place between 2007 and 2008 of the Writers Guild of America was what saved him, Gilligan clarified the situation in 2013 by stating that it became abundantly clear much earlier than that that Jesse’s character—along with his relationship to Walter—were essential to the progression of the show.
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Gilligan stated, “The writers’ strike, in a sense, didn’t save him, because I knew by episode two that we all did,” including the show’s wonderful directors and producers.
It became abundantly clear from the beginning that killing Jesse would be a huge, colossal mistake because everyone was aware of Aaron Paul’s great qualities and how pleasant he was to work with.
Paul stated, “My career would be over,” in response to a Reddit AMA question about how he would have felt if Jesse had been killed off in season one. And if I watched Breaking Bad every week, I would break down in tears. This would all remind him of his beginnings when he was working an Idaho minimum wage job in his hometown of Emmett, making ice cones.
Did you know, that in order to get a role in the show, Aaron Paul had to get nose job in San Antonio since the producers weren’t happy with the way his face looked?
3. The writers changed the story arc for Season One, which turned out to be a good choice
The Writers Strike did shorten the show’s first season, requiring Gilligan to cut two episodes that would have shown Walter transforming into Heisenberg in a much more violent and rapid manner. Gilligan was pleased with how things turned out.
“We had plotted out the entirety of our episodes before the show at any point went on the air, and we didn’t have any idea how well the show would be gotten,” Gilligan told Inventive Screenwriting. ” You tend to want to be a little more sensational because you don’t know how the public will react to it.
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You really want to keep the show interesting and exciting to keep people watching. All of this is to say that those final two episodes would have been very big because they would have taken the characters into a completely different world than they were already in, and it would have been hard to come back from when season two started.
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He continued, “We’re not just doing those two episodes coming into season two.” We’ve completely thrown those out and are starting from scratch elsewhere.
We are building at a slower pace than we would have otherwise. That’s really good because I’m sure we’ve all watched our favorite shows that were fascinating up until a certain point but ended up going too far and there was no turning back.
The trick, in my opinion, is to keep the characters as interesting as possible while doing as little as possible with them. It’s a real test of balance.”
4. Bryan Cranston and Aaron Paul were even taught how to cook meth by the DEA
The show’s creators felt it was appropriate to inform the Drug Enforcement Administration (DEA) of their plans and welcome their assistance due to the subject matter.
With all due respect and consideration, we informed them that we were producing this show and asked, “Would you like to be a part of it in a consultancy to ensure that we get it right?”
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According to Cranston, High Times could have said, “We don’t want to have anything to do with it.”
However, they realized that it might be in their best interest to ensure that we carry out the task properly. As a result, consultants from the DEA taught Aaron Paul and me how to make crystal meth.
5. Although not perfect, the science is sound which was planned
Midway through the first season, Dr. Donna Nelson, a chemistry professor at the University of Oklahoma, started working as a science advisor for the show. Her job was to make sure the science was right—or at least safe.
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In 2013, Nelson stated to Mental Floss, “I don’t think there’s any popular show that gets it 100% right, but that’s not the goal.” The objective is not to be a show that teaches science; The objective is to achieve popularity. Because they want to make the show interesting, they will always take some creative license.
Of course, you shouldn’t teach viewers how to start their own meth empires, especially on a show about drug production.
“Blue meth is Walter White’s trademark, in the case of Walter White,” Nelson stated. In point of fact, it would not be blue; It would have no color. However, this is not a show that teaches science. It’s fiction. Additionally, the majority of the science was accurately interpreted by Vince Gilligan. And I’m overjoyed about that. You can quote me on this: I think Vince Gilligan is a genius!
However, it is important to note that while fictional shows like “Breaking Bad” may not be designed to teach science, there are many real-world issues that deserve attention and accurate representation. For example, the topic of ridesharing with disabilities is an important one that requires accurate and sensitive portrayal in media.
6. Rock candy was used to portray the legendary blue meth
Blue rock candy is what you actually see when you see Walter and Jesse’s signature blue meth. More precisely: blue rock candy from Albuquerque’s The Candy Lady, a small candy shop. They sell a whole line of treats inspired by Breaking Bad under the name The Bad Candy Lady. In addition to their famous blue rock candy, they also offer a variety of other sweets and novelty items, including a desktop riser for all your computer needs.
7. The role of GUS FRING was supposed to be much less important
Giancarlo Esposito initially resisted taking on the role of Gus Fring, which was initially a much smaller one. Esposito stated to TIME, “I had not seen Breaking Bad, but my manager at the time told me it was his favorite show.”
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My wife suggested that I give it a shot, but it was a guest spot, and I’ve done many guest spots before. I wanted to make a person. But I only did one episode, and then I agreed to do two more because I wanted to be in a family of filmmakers.
At the point when Gilligan offered him one more seven episodes for season three, Esposito countered that he needed a greater job. ” I ended up doing 12 after some negotiating, Esposito stated. I wanted to come up with a character who would become essential to the show. I also came to the realization that I had slipped into the Breaking Bad family at some point. I changed the rules and raised the bar for the show, Vince told me.
And I’m proud of that, but I was only able to accomplish that because of the depth of the writing and our chemistry. Additionally, their writing prompted me to reflect and create a polite, threatening, and moving character.
8. For Fring’s final episode, the cast of The Walking Dead helped him
One of the most memorable visual images from the entire series is the final scene of Fring, and they were able to enlist the assistance of some genuine experts in gore. Indeed, the prosthetic effects folks at The Walking Dead were very helpful, as Gilligan stated to The New York Times.
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Additionally, I would like to commend Greg Nicotero, Howard Berger, and KNB EFX for producing that effect through their business. After that, the visual effects work of a man named Bill Powloski and his team added to that.
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They digitally merged a three-dimensional sculpture that KNB EFX made with the actual scene in the movie. As a result, in that final scene, you can actually peer inside and through Gus’s mind. Both the makeup and the visual effects are outstanding. Also, it took months to complete.”
9. Yes, Aaron Paul does frequently use the word “bitch,” but probably not as often as you think
According to one estimate, Paul uses the word a total of 54 times throughout the series, despite the fact that every Jesse Pinkman impression ends with a “bitch.” Which seems a little low considering there are 62 episodes.
10. A “YO, BITCH” app was released by Aaron Paul
Even though the number above doesn’t seem like much, Paul’s favorite add-on became so synonymous with Pinkman that the actor made an app called Yo, Bitch in 2014.
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